Posts tagged with ‘web series

Rock Out With Your Holiday Balls Out! :)

Partial Show Links (Full list on site):

A Christmas Trololo: Joinchoir
http://www.youtube.com/watch?v=tl_J5RsiyHQ

Santa Window Intruder
http://www.youtube.com/watch?v=Ao5jFRDSyw8

Bed Intruder Christmas Carol
http://www.youtube.com/watch?v=RMB10wwmWrU

Rudolph the Regular Reindeer
http://www.collegehumor.com/video:1944698

Rudolph (You Don’t Have to Put on the Red Light) Mashup
http://www.youtube.com/watch?v=5N4EFVgtB0Y

Dogs with Human Hands
http://www.youtube.com/watch?v=KG3O6UBLGbA

Star Wars Christmas
http://www.youtube.com/watch?v=RNU16HHOPxA

Keyboard Cat Christmas
http://www.youtube.com/watch?v=QKwonWidiGs

2000 Words On “Derivative Bullshit,” “WebTV,” and “Online Content”

spytap:

The Past

So apparently I pissed of half of the known internet today. I looked it right in the eyes and told it yes, its ass did look fat in those jeans. In other words I gave my honest opinion without regard to feelings, sentiment, or repercussion.

In return, I got called a number of colorful names by people whose feelings I’d hurt. Some were semi-sarcastic, some were very spirited, and all were probably partially truthful. Many people agreed with me though.

Now the video in question was recorded back in May but was reposted to twitter this morning. A half hour later, it was the spark for a firestorm of discussion, commentary, argumentation, and the occasional brief moment of agreement.

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This is something we’ve been talking about since the time of I Love Bees. …ways to bring communities together through storytelling. I hate to say it, but I think everything got distorted during the writer’s strike of 2007/2008. While the Internet became a way for frustrated writers to get their story told no matter what (which was a GREAT thing), the inherent TV aesthetic came along with it. It then became a race to see who could make the best TV show on the web and stick it to The Man. Yes, the focus completely shifted to online distribution, not online content.

The storytelling geeks got sidelined. Their newfangled ways of story experimentation wasn’t news compared to the high-profile writers/actors who were now online.

Like Barrett mentions in his post, there is nothing wrong with using the web to distribute independently produced content. We should! The problem happens when ALL of the focus is on distribution and not finding ways to innovate. This is an extremely important time in the web’s entertainment history. Creators can take ownership and make stories that TV can’t. But we’re too concerned with red carpet events and stars in hopes that the light shines on us so we can “move on up.” Not a way to win this battle… or the impending media war.

*Additional Note: Here is a great response from David Nett on how the web has created an Independent TV community, just like there is an independent film community. Very valid points.

Star Wars Uncut + Footloose Remake = Creative Awesomeness!

We’re back with a new episode. This one is all about using the web to inspire your creativity. We highlight some of the most creative projects and people on the Internet. From web apps that let you create your own fonts, to interactive music videos, to remakes of classic films… strengthen your creative muscle and get inspired!

You can follow the FU on Twitter, too. :)

Celebrities’ Twitter Followers Have Zero Influence [STUDY]

mashable:

Social media analytics company Sysomos used its platform to analyze the Twitter followers of celebrities, social media heavyweights and news sources. Sysmos found that the Twitter

TV and film celebrities also have zero influence in making a hit web series. People on the web generally don’t watch shows because of who is starring in them, though many of the conversations I regularly hear in Hollywood are about attaching “stars” to new web shows. It often gets advertisers on board (mainly because most are still in the beginning stages of understanding how the web works), and truthfully companies need this to make money somehow, so that’s just the easiest pitch especially when you deal with aftermarket distribution. Filmmakers who are new to the web world also fall into this glossy trap. The web audience is a whole other matter entirely.